Canon G1X Mark I vs. Sony RX100 M5

In my opi­ni­on, the came­ra manu­fac­tu­r­ers have done them­sel­ves a big favor with the expert com­pact came­ras. They are just small enough to fit into a lar­ger pocket, have a com­pa­ra­tively lar­ge 1″ sen­sor, are very light-inten­se and can be ope­ra­ted simi­lar to a DSLR.

The similarities

Here is the prac­ti­cal com­pa­ri­son of the Canon G1X Mark I with the Sony RX100 M5 to see which per­forms bet­ter in ever­y­day life. But first the most important data of the two came­ras:

Canon G1X Mark I Sony RX100 M5
Abmes­sun­gen (BxHxT) 105.5 x 60.9 x 42 mm 101.6 x 58.1 x 41.0 mm
Weight 319 g 298 g
Focal Length (35 mm equ.) 24–100mm 24–70mm
Maxi­mum f/number f/1.8 – f/2.8 f/1.8 – f/2.8
Video 35Mbit/s MPEG‑4 AVC / H.264 4k 100MBps (XAVC S)
Dis­play 3″ 1.040.000 Pixel 3:2 3″ 1.228.800 Pixel 4:3
Sen­sor 1.0 Zoll 1.0 Zoll
Effec­ti­ve Pixels 20.1 Mega­pi­xel 20.1 Mega­pi­xel
Left the Canon, right the Sony

The table alre­a­dy shows that the two came­ras are very clo­se to each other in terms of both the insi­de tech­nic and out­side dimen­si­ons. The dif­fe­ren­ces in dimen­si­ons and weight are not noti­ceable.

If the two came­ras stand next to each other, the dif­fe­ren­ces are hard­ly visi­ble to the bare eye.

Even the con­trol but­tons are simi­lar, alt­hough the big­gest dif­fe­ren­ces can be found here. Basi­cal­ly, howe­ver, for came­ras in this seg­ment, the but­tons are com­pa­ra­tively small and clo­se to each other, so that the ope­ra­ti­on needs some get­ting used to.

left the con­trol panel of Canon, right the one of Sony

Once you have fami­lia­ri­zed yours­elf with the ope­ra­ting con­cept, many func­tions can be rea­ched quick­ly. With one came­ra you have to turn one wheel more and with the other you have to press a but­ton. The­re are also no major dif­fe­ren­ces here that would speak for or against one or the other model.

The differences

Howe­ver, the­re are a few dif­fe­ren­ces.

Advan­ta­ge Sony: The elec­tro­nic OLED view­fin­der
  • Below the adjus­ting wheel of the Canon the­re is a second wheel with which the aper­tu­re steps can be adjus­ted quite easi­ly, as one is used to from the DSLRs (pos­si­bly).
  • The Sony offers a quick menu. Canon has inte­gra­ted this into the DSLR, but dis­pen­ses with it in its small model.
  • The Sony has an elec­tro­nic view­fin­der. It is a 0.39 inch OLED view­fin­der (with 100% field of view covera­ge) that can be fold­ed out as nee­ded. It also has a pro­xi­mi­ty sen­sor that auto­ma­ti­cal­ly swit­ches bet­ween the dis­play and view­fin­der. Espe­ci­al­ly when it is very bright, you can sel­ect the moti­ve much bet­ter with such a view­fin­der.
  • The Canon wri­tes noti­ce­ab­ly fas­ter to the memo­ry card. This means that pho­tos are taken much more dyna­mi­cal­ly. It got bet­ter when we put a some­what fas­ter memo­ry card into the came­ra (like the San­Disk Extre­me with 170MB/s, Class 10, U3, V30). Howe­ver, Sony also stores con­sider­a­b­ly more image infor­ma­ti­on – the image files are about twice as lar­ge.
  • Of cour­se, tho­se who value vide­os will be bet­ter off with the Sony. This has always been the case and will pro­ba­b­ly con­ti­nue to be so. Howe­ver, this artic­le con­cen­tra­tes on pho­to­gra­phy.
  • The most important dif­fe­rence, howe­ver, lies in the mea­su­ring points of the focus field. Sony has a total of 315 mea­su­ring points (AF pha­se detec­tion) and 25 mea­su­ring points (AF con­trast detec­tion). Canon is only satis­fied with 31 points. What both have in com­mon is again the type of focu­sing or focus track­ing. Nevert­hel­ess, the Sony points quite cle­ar­ly in this seg­ment.

Adver­tis­ment

With such a memo­ry card, the wri­ting speed of the Sony increased trace­ab­ly (com­pared to a Class 10, U1, card).

The practice

How are such com­pact came­ras main­ly used? Most­ly as com­pact com­pa­n­ions for fast pho­to­gra­phy. Of cour­se you can also take the time for image com­po­si­ti­on and expo­sure with the small com­pact came­ras, but often it is the came­ra that is quick­ly pul­led out to cap­tu­re the moment.

And let’s be honest: often the came­ras are set to auto­ma­tic white balan­ce and often even to auto­ma­tic ISO sel­ec­tion. Many peo­p­le will be using the pro­gram auto­ma­tic or the aper­tu­re pre­sel­ec­tion or aper­tu­re prio­ri­ty (i.e. P or A on the sel­ec­tion wheels of the came­ras).

So here’s the com­pa­ri­son bet­ween the­se two vari­ants and you can see that the Sony is bet­ter at the white balan­ce, but the Canon is a bit bet­ter at the details.

Fol­lo­wing a detail­ed com­pa­ri­son in pro­gram mode AV, Auto ISO and AWB, F 1.8 (1/100sec) both came­ras have sel­ec­ted ISO 125. On the left the pic­tu­re of the Canon, on the right the pic­tu­re of the Sony.

The colours were bet­ter hit by the Sony, but the detail depth of the Canon is slight­ly bet­ter. Howe­ver, the bet­ter colour choice of the Sony is more visi­ble in the pho­tos.

But if you adjust the came­ras manu­al­ly (inclu­ding the white balan­ce), you hard­ly see a dif­fe­rence (abo­ve Canon below Sony): F 1.8 1/30sec ISO 200 AWB manu­al Focal length 9 mm (cor­re­sponds to 24 mm in 34mm equi­va­lent)

Conclusion

And that is also our expe­ri­ence. In terms of image results, both came­ras are the iden­ti­cal, as are their dimen­si­ons and tech­ni­cal spe­ci­fi­ca­ti­ons. And tha­t’s despi­te the fact that we’­ve been com­pe­ting the first gene­ra­ti­on of the G7X against the latest RX100. Both came­ras take good to very good pho­tos. Howe­ver, this only appli­es if you know how to con­trol the came­ras and have the set­ting rea­dy at the right moment. In the end, it was even sur­pri­sing how much the pho­tos were simi­lar in the end and how the­re were hard­ly any dif­fe­ren­ces bet­ween the came­ras. After all, the­re are a few deve­lo­p­ment years bet­ween the two models.

Of cour­se, the pri­ce plays an important role, becau­se the G7X Mark II curr­ent­ly cos­ts a good 300 Euros less than the Sony RX100 V, wher­eby we bought the Sony RX100 V for 650 Euros through various pro­mo­ti­ons (incl. cash back from Sony), so that the dif­fe­rence is less signi­fi­cant. Tho­se who buy the pre-owned G7X Mark I, on the other hand, will also get a very good high-end com­pact for very litt­le money, becau­se such a com­pact is alre­a­dy available for about 300 Euro.

Per­so­nal­ly, we main­ly use the Sony now, becau­se it has the bet­ter ISO and AWB auto­ma­tic fea­tures and finds the focus fas­ter. Unfort­u­na­te­ly, the lower wri­ting speed of the Sony is cle­ar­ly noti­ceable, so that the plea­su­re is some­what slo­wed down. But tha­t’s high level whi­ning.

Adver­tis­ment

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