Canon G1X Mark I vs. Sony RX100 M5

In my opin­ion, the cam­era man­u­fac­tur­ers have done them­selves a big favor with the expert com­pact cam­eras. They are just small enough to fit into a larg­er pock­et, have a com­par­a­tive­ly large 1″ sen­sor, are very light-intense and can be oper­at­ed sim­i­lar to a DSLR.

The similarities

Here is the prac­ti­cal com­par­i­son of the Canon G1X Mark I with the Sony RX100 M5 to see which per­forms bet­ter in every­day life. But first the most impor­tant data of the two cam­eras:

Canon G1X Mark I Sony RX100 M5
Abmes­sun­gen (BxHxT) 105.5 x 60.9 x 42 mm 101.6 x 58.1 x 41.0 mm
Weight 319 g 298 g
Focal Length (35 mm equ.) 24–100mm 24–70mm
Max­i­mum f/number f/1.8 – f/2.8 f/1.8 – f/2.8
Video 35Mbit/s MPEG‑4 AVC / H.264 4k 100MBps (XAVC S)
Dis­play 3″ 1.040.000 Pix­el 3:2 3″ 1.228.800 Pix­el 4:3
Sen­sor 1.0 Zoll 1.0 Zoll
Effec­tive Pix­els 20.1 Megapix­el 20.1 Megapix­el
Left the Canon, right the Sony

The table already shows that the two cam­eras are very close to each oth­er in terms of both the inside tech­nic and out­side dimen­sions. The dif­fer­ences in dimen­sions and weight are not notice­able.

If the two cam­eras stand next to each oth­er, the dif­fer­ences are hard­ly vis­i­ble to the bare eye.

Even the con­trol but­tons are sim­i­lar, although the biggest dif­fer­ences can be found here. Basi­cal­ly, how­ev­er, for cam­eras in this seg­ment, the but­tons are com­par­a­tive­ly small and close to each oth­er, so that the oper­a­tion needs some get­ting used to.

left the con­trol pan­el of Canon, right the one of Sony

Once you have famil­iar­ized your­self with the oper­at­ing con­cept, many func­tions can be reached quick­ly. With one cam­era you have to turn one wheel more and with the oth­er you have to press a but­ton. There are also no major dif­fer­ences here that would speak for or against one or the oth­er mod­el.

The differences

How­ev­er, there are a few dif­fer­ences.

Advan­tage Sony: The elec­tron­ic OLED viewfind­er
  • Below the adjust­ing wheel of the Canon there is a sec­ond wheel with which the aper­ture steps can be adjust­ed quite eas­i­ly, as one is used to from the DSLRs (pos­si­bly).
  • The Sony offers a quick menu. Canon has inte­grat­ed this into the DSLR, but dis­pens­es with it in its small mod­el.
  • The Sony has an elec­tron­ic viewfind­er. It is a 0.39 inch OLED viewfind­er (with 100% field of view cov­er­age) that can be fold­ed out as need­ed. It also has a prox­im­i­ty sen­sor that auto­mat­i­cal­ly switch­es between the dis­play and viewfind­er. Espe­cial­ly when it is very bright, you can select the motive much bet­ter with such a viewfind­er.
  • The Canon writes notice­ably faster to the mem­o­ry card. This means that pho­tos are tak­en much more dynam­i­cal­ly. It got bet­ter when we put a some­what faster mem­o­ry card into the cam­era (like the San­Disk Extreme with 170MB/s, Class 10, U3, V30). How­ev­er, Sony also stores con­sid­er­ably more image infor­ma­tion – the image files are about twice as large.
  • Of course, those who val­ue videos will be bet­ter off with the Sony. This has always been the case and will prob­a­bly con­tin­ue to be so. How­ev­er, this arti­cle con­cen­trates on pho­tog­ra­phy.
  • The most impor­tant dif­fer­ence, how­ev­er, lies in the mea­sur­ing points of the focus field. Sony has a total of 315 mea­sur­ing points (AF phase detec­tion) and 25 mea­sur­ing points (AF con­trast detec­tion). Canon is only sat­is­fied with 31 points. What both have in com­mon is again the type of focus­ing or focus track­ing. Nev­er­the­less, the Sony points quite clear­ly in this seg­ment.

Adver­tis­ment

With such a mem­o­ry card, the writ­ing speed of the Sony increased trace­ably (com­pared to a Class 10, U1, card).

The practice

How are such com­pact cam­eras main­ly used? Most­ly as com­pact com­pan­ions for fast pho­tog­ra­phy. Of course you can also take the time for image com­po­si­tion and expo­sure with the small com­pact cam­eras, but often it is the cam­era that is quick­ly pulled out to cap­ture the moment.

And let’s be hon­est: often the cam­eras are set to auto­mat­ic white bal­ance and often even to auto­mat­ic ISO selec­tion. Many peo­ple will be using the pro­gram auto­mat­ic or the aper­ture pre­s­e­lec­tion or aper­ture pri­or­i­ty (i.e. P or A on the selec­tion wheels of the cam­eras).

So here’s the com­par­i­son between these two vari­ants and you can see that the Sony is bet­ter at the white bal­ance, but the Canon is a bit bet­ter at the details.

Fol­low­ing a detailed com­par­i­son in pro­gram mode AV, Auto ISO and AWB, F 1.8 (1/100sec) both cam­eras have select­ed ISO 125. On the left the pic­ture of the Canon, on the right the pic­ture of the Sony.

The colours were bet­ter hit by the Sony, but the detail depth of the Canon is slight­ly bet­ter. How­ev­er, the bet­ter colour choice of the Sony is more vis­i­ble in the pho­tos.

But if you adjust the cam­eras man­u­al­ly (includ­ing the white bal­ance), you hard­ly see a dif­fer­ence (above Canon below Sony): F 1.8 1/30sec ISO 200 AWB man­u­al Focal length 9 mm (cor­re­sponds to 24 mm in 34mm equiv­a­lent)

Conclusion

And that is also our expe­ri­ence. In terms of image results, both cam­eras are the iden­ti­cal, as are their dimen­sions and tech­ni­cal spec­i­fi­ca­tions. And that’s despite the fact that we’ve been com­pet­ing the first gen­er­a­tion of the G7X against the lat­est RX100. Both cam­eras take good to very good pho­tos. How­ev­er, this only applies if you know how to con­trol the cam­eras and have the set­ting ready at the right moment. In the end, it was even sur­pris­ing how much the pho­tos were sim­i­lar in the end and how there were hard­ly any dif­fer­ences between the cam­eras. After all, there are a few devel­op­ment years between the two mod­els.

Of course, the price plays an impor­tant role, because the G7X Mark II cur­rent­ly costs a good 300 Euros less than the Sony RX100 V, where­by we bought the Sony RX100 V for 650 Euros through var­i­ous pro­mo­tions (incl. cash back from Sony), so that the dif­fer­ence is less sig­nif­i­cant. Those who buy the pre-owned G7X Mark I, on the oth­er hand, will also get a very good high-end com­pact for very lit­tle mon­ey, because such a com­pact is already avail­able for about 300 Euro.

Per­son­al­ly, we main­ly use the Sony now, because it has the bet­ter ISO and AWB auto­mat­ic fea­tures and finds the focus faster. Unfor­tu­nate­ly, the low­er writ­ing speed of the Sony is clear­ly notice­able, so that the plea­sure is some­what slowed down. But that’s high lev­el whin­ing.

Adver­tis­ment

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